APPLIED ARTS: coordinated environments and rites for living and healing
onsite workshop & clinic/apothecary
SARTORIAL GOODS by Vilma Maré
HEALING ARTS by Sarah Falkner, LMT
ARTIFACTS from the Royal Excavation Corps
624 Warren Street - HUDSON, NY 12534 - 518.291.4779
Thursday, Friday, Saturday & Sunday - 11-6
clinic treatments: additional hours by appointment
Press contact: Sarah Falkner, 347.436.6725 & sarah.falkner@gmail.com
(hi)story labor(atory) is a collaborative environment for fine, applied and healing arts objects and projects. One can purchase high-concept hand-crafted utilitarian and decorative clothing and objects, receive healing treatments, and observe the artists at work, as well as attend the occasional formal performance or ritual. In addition to the creations, installations and presences of the three proprietors, sequential presentations involving favorite comrades and co-conspirators will appear.
(hi)story labor(atory) provides a model for and assistance in creating a personal, comprehensively-integrated environment. (hi)story labor(atory) counts among its inspirations historical interdisciplinary production communities such as the Wiener Werkstätte, in which all facets of quotidian living were carefully considered and addressed to comprise the Gesamtkunstwerk-- “total artwork” -- existence as a wholly unified work of art, all its components consciously designed.
(hi)story labor(atory)’s fusion of utilitarianism and aestheticism is conjoined with ideals of environmental and social sustainability; desires to make beauty, healing and elegant personal ritual more accessible to more people; and a general inclination towards the “revolution of everyday life,” to be achieved through a sense of purpose, community, craft and experimentation.
Vilma Maré’s post-modern deconstructive fashion deploys sartorial technology informed by historical architecture and structural anatomy, as well as Maré’s Baltic sensibilities. Designed with a keen awareness of garments as phenomenological embodiments, contributing to our ‘epidermic self-awareness’, Vilma's clothes become sought-after components for women whose artistic expression encompasses different spheres of lifestyle and identity.
Maré renders wearable designs via vertical, intertwined, flattering lines and textures of exposed and raw seams; hand stitching, gathering, smocking and felting. Maré designs and executes every prototype herself, and oversees small-scale production both locally and in her native Lithuania.
(hi)story fashion label was established in 2000 and its name--as does (hi)story labor(atory)--speaks to an acknowledged multiplicity and polyvalence in the narratives of historical clothing, culture and tradition. The designer offers her chosen (hi)stories--interpretations for our time in the manner of the post-modern school: de-constructing, preserving and interpreting our clothing culture for modern conditions and lifestyles. (hi)story is sewn using natural materials--wool, rayon and silk jerseys--and original sewing/finishing technology.
In American contemporary slang "crafty" = "clever," and for Maré this polyvalence of ‘craft’ is evident in her clothes; the designer has developed a line of a type of 'power suit' for women, where strength is not aggressive, but crafty—craftily made, craft-evident, and craftily worn by the woman whose power is beautiful, calm and comfortable. The designer adds: My favourite poet Vladas Braziunas emphasizes 'past present' poetic times, and that's exactly what I create with my (hi)story business: wearable semantics for an official event w/ a 'past-present' style. Speaking traditionally, the look suggests these qualities: clever, calm, comfortable, subtle, fine, sensual, etc.
www.vilmamare.net
Sarah Falkner, LMT, has been a licensed bodywork practitioner since 1998; she is a graduate of the Swedish Institute as well as several apprenticeships and initiatory trainings from both indigenous and nontraditional shamans, folk-healing practitioners and Reiki masters. Considering healing practices to be both art and science, personal and communal, embodied and transpersonal, her methodologies are informed by historical integrative practices such as alchemy and European folk wiseperson herbalism, as well as a variety of contemporary syncretic spiritual healing systems including curanderismo and Tibetan-Nepali shamanism. Falkner offers on-site treatments and consultations in (hi)story labor(atory)’s clinic, and also creates preparations and objects for personal healing and contemplative practice, including aromatherapy oils and bath salts; altars, shrines and devotional objects; and offertory candles. Committed both to efficacy and aesthetics, to accompany her own creations Falkner curates a selection of complementary artisanal wares, primarily Hudson Valley-sourced, with an emphasis on the sustainable and socially-just; Fall 2010 features the plant-based medicines of Lauren Giambrone’s Germantown-based Good Fight Herb Co. (www.goodfightherbco.com), Margaretville chandler Niki Naeve’s soy/palm candles and lotions (www.NakedKandles.com); and shoulder bags and totes handmade by Venus, an independent musician and artisan in Monterrey, Mexico. Falkner is dedicated to making bodywork-based and allied therapies an integral and accessible component of wellness for all, and towards that end happily participates in alternative economic strategies such as mutual aid, barter, and sliding-scale fees.
www.sarahfalkner.com & www.AUGmassagecollective.com
The Royal Excavation Corps (REC) is an auxiliary unit of the collaborative art team Kahn & Selesnick. Since 1988 the REC has been issuing sporadic communiques from distant lands and eras, accompanied by documentation and artifacts. The REC's participation in (hi)story labor(atory) includes the production of a series of unique and limited-edition hand-cast hypertufa pieces for interior and exterior; wallpapers, tiles and dinnerware; ceramic and wood architectural details; puppet theatre accoutrements, and time devices.
www.royalexcavationcorps.com & www.KahnSelesnick.com
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